Analogue synthesizers continue to draw musicians, sound designers, and tinkerers alike for their tactile control and warm, reactive sound. Behringer has added two new options to its already expansive line-up, each catering to different kinds of workflows. The MS-1 MKII GREY and the 2-XM both pull from vintage inspirations, but with modern updates that suit contemporary setups. Whether you’re playing live or building up a modular rig, these synths bring focused capabilities to the table.
Key Features
MS-1 MKII GREY – Analogue Synthesizer with 32 Full-Size Keys andLive Performance Kit
- Analogue signal path with VCO, VCF, and VCA based on ‘70s-era design
- Four mixable waveforms: saw, triangle, square with pulse width modulation, and sub-oscillator
- Built-in 32-step sequencer and arpeggiator
- 32 full-size semi-weighted keys
- Performance features including handgrip with pitch controls and strap attachment
2-XM – Classic Polyphonic Analog Synthesizer with 4 VCOs, 2 Multi-Mode VCFs, 2 LFOs and 4 Envelopes in Eurorack Format
- Dual-voice analogue synthesizer architecture with four VCOs
- Simultaneous waveform mixing and oscillator sync options
- Multi-mode filter per voice: low-pass, high-pass, notch, and band-pass
- Extensive CV and Gate I/O for modular integration
- Eurorack-compatible and compact design
MS-1 MKII GREY: Classic Analogue with Live Playability
The MS-1 MKII GREY brings together elements of classic synthesizer design with features aimed at hands-on performance. Its 3340 Voltage Controlled Oscillator provides four blendable waveforms, allowing for layered, textured tones without external routing. Each waveform has its own character and being able to adjust across a 4-octave range adds plenty of room for both foundational basslines and sharper melodic work.
Its filter section is responsive and flexible. The Voltage Controlled Filter includes controls for cutoff, resonance, and modulation depth, which can be affected by envelope shaping, keyboard tracking, or an onboard bender. This type of control structure gives users a lot of tonal range without needing menu-diving or patching.
The sequencer and arpeggiator allow for quick pattern generation—useful for composition or live loop-building. There’s also a distinct performance angle: the MS-1 includes a guitar-style handgrip and strap mount, encouraging movement on stage. It’s designed with playability in mind, and that shows in both the control layout and the included performance tools.
2-XM: A Compact Analogue Synth for Modular Expansion
The 2-XM is rooted in the tradition of dual-voice polyphonic analogue synthesizers from the 1970s. It combines two independent voice modules, each with their own VCOs, filters, and envelope generators, into one compact unit. This allows for different voice modes, including layered unison, split voices, or straightforward two-note polyphony.
The oscillators offer a wide set of waveform options—saw, triangle, square/PWM, and a sub-oscillator—and each can be shaped in detail using modulation and sync controls. For those who want more tonal variety, the oscillator sync options and adjustable pulse widths offer space to experiment.
A standout feature is the dual multi-mode filter section. Each voice includes its own VCF, which can be set to low-pass, high-pass, notch, or band-pass mode. These are easy to switch between and offer broad shaping capability, especially when paired with the envelope generators and modulation options. The addition of portamento and panning functions allows for further control over movement and spatial placement.
Designed to fit into modular or Eurorack environments, the 2-XM is packed with CV and Gate connectivity. This makes it a flexible option for users already working with modular systems or planning to expand that direction. Its compact footprint and sturdy design also make it well-suited to studio or live use without taking up much space..
Availability
Both the MS-1 MKII GREY and the 2-XM offer focused approaches to analogue synthesis. The MS-1 leans into live performance and traditional keyboard-style workflows, while the 2-XM is tailored for modular setups and deep tone sculpting. Rather than trying to cover every possible use case, each synth does a specific job well making them useful additions depending on how you like to work with sound. For those interested in expanding their analogue palette, either could serve as a valuable tool in the right context.
Behringer has confirmed both models are expected to arrive in Australia by August 2025. For full specifications and availability, visit the official Behringer website.
