Aguilar has kicked off the year with not one, not two, but three new additions to their lineup—each built to deliver that unmistakable Aguilar tone while giving modern players the features we’ve all been asking for. Whether you’re a touring bassist, a session regular, or just tone‑obsessed (aren’t we all?), these new releases pack serious punch: the Tone Hammer 210 Combo, the TLC Compressor EQ DLX, and the Octamizer DLX.
Tone Hammer 210 Combo: Big Tone, Zero Fuss
If you’ve ever wished your combo amp sounded like a full-blown Aguilar rig without needing an extension cab… this is your moment.
The Tone Hammer 210 Combo brings the beloved Tone Hammer sound to a portable, road-ready 2×10” vertical cabinet. It’s powered by the Tone Hammer V2 amplifier, delivering 300 watts of warm, rich Aguilar tone that’s ready for stages, studios, rehearsals—wherever you plug in.
Why you’ll love it
- 300W of classic Aguilar tone — no extension cab required
- Vertical 2×10” cab for punchy low end + improved stage clarity
- Signature Tone Hammer voicing — warm lows, rich mids, smooth top end
- Dual XLR outputs with Aguilar Cabinet Suite for FOH, IEMs, or recording setups
This thing is built like a tank, sounds like a premium Aguilar rig, and won’t destroy your back getting it to the gig.
TLC Compressor EQ DLX: Your Tone, Fully Sculpted
Aguilar’s original TLC Compressor earned a loyal following for being musical, reliable, and dead simple to use. The new TLC Compressor EQ DLX keeps everything players loved, but expands the feature set in a big way.
Now powered by Aguilar’s advanced in-house DSP platform, the EQ DLX gives you full control over your dynamics and tone shaping. Think subtle smoothing, aggressive punch, and everything in between—plus the ability to fine-tune your bass and treble frequencies without touching your amp.
Key upgrades
- Advanced DSP engine built by Aguilar
- Independent Compressor + EQ sections
- Broadband Bass & Treble EQ for flexible tone sculpting
- Full compressor controls: attack, ratio, release, blend
- LED gain reduction meters so you actually know what’s happening
This is the kind of pedalboard compressor that can be transparent, colourful, or downright bold depending on how you dial it in.
Octamizer DLX: The Next Evolution of Aguilar’s Iconic Octave
The original Octamizer has long been a go-to for bassists who want fat, musical octave tones. The new Octamizer DLX keeps that original flavour but rebuilds the entire pedal on Aguilar’s updated DSP platform. Translation? Better tracking, more clarity, and new sonic tricks.
The big headline:
You now get Octave Up in addition to the classic Octave Down. And Aguilar has added a vintage‑leaning synth-inspired filter mode for players who love retro textures without menu diving.
Why it hits harder
- New in-house DSP for cleaner, quicker tracking
- Octave Up + Octave Down for expanded tonal layers
- Proprietary tracking algorithm for ultra-tight performance
- Original Octamizer voicing preserved
- New Mode function for synth-style octave textures
If you want everything from smooth, supportive octave layers to funky synth bass lines, this pedal covers massive ground.
Final Thoughts
Aguilar didn’t just update their lineup—they levelled it up. Each of these releases feels thoughtfully designed for real-world bassists: modern features, rugged builds, and the unmistakable Aguilar tonal identity.
Whether you’re chasing studio polish, live flexibility, or earth-shaking low-end creativity, these new additions have you covered.
