Behringer Re-creates Vintage Guitar Pedals

Vintage guitar pedals and the artists who pioneered them are stuff of legend. They defined eras of music and influence how we compose and create sounds today. The big problem with vintage guitar pedals is firstly there are very few of them left and secondly, the ones that are available, cost the same amount as a deposit for a small house. Behringer has been producing classic re-creations of synths for several year and have recently turned their attention into re-creating classic guitar pedals. It’s with the philosophy of bringing vintage sounds to the masses they introduce the Octavia Octave Fuzz, the Chorus Symphony, and the B-Tron III. 

Behringer Vintage Guitar Pedals Key Features:

• Octavia Octave Fuzz

  • Authentic 60’s silicone-based fuzz pedal with distinctive octave-up, recreate classic Hendrix tones
  • All analogue circuit powered by aggressive silicone transistors
  • Extremely responsive to variable dynamics and input from different pickups

• Chorus Symphony

  • Authentic ’70s modulation pedal with chorus and vibrato modes, based on classic Jazz Chorus amplifier BBD circuitry
  • Legendary preamp with variable input range for use with different instruments
  • Dual outputs with huge 3D stereo spread

• B-Tron III –

  • Vintage auto-Wah envelope filter pedal that shaped the sound of funk throughout the ’70s
  • All analogue optical circuit for natural sensitivity response and authentic recreation of legendary tone
  • 3 filter types including low, band and high pass.

Octavia Octave Fuzz

If you’re after that classic 60s fuzz tone with an unpredictable edge, an octave fuzz is worth exploring. The octave-up effect, popularized by Jimi Hendrix on tracks like “Purple Haze” and “Fire,” can add a sharp, almost synth-like texture to your sound.

Octave fuzz pedals tend to work best with single-coil pickups and respond well to changes in your picking dynamics. If you want to get the most out of the effect, try switching to your neck pickup and playing higher up on the fretboard. Setting the fuzz around 10 o’clock can help bring out the harmonic overtones without overwhelming your core tone.

This type of fuzz can be unpredictable, but that’s part of the fun. Experimenting with your playing style and settings will help you find the sweet spot that works best for your sound.

Chorus Symphony

A chorus pedal can add depth and movement to your playing, making clean tones shimmer and giving overdriven sounds a thicker, more dimensional feel. The analogue bucket-brigade (BBD) design in classic chorus pedals produces a warm, organic modulation that has been a staple for players like John Frusciante, Brian May, and Andy Summers.

If you’re after that lush, swirly texture, start with a slow rate and moderate depth. For a more pronounced effect, increasing the intensity can give a detuned, almost vibey feel that works well in ambient or psychedelic styles.

Some chorus pedals, like this one, include a preamp section that can boost your signal or add a bit of grit. This can be useful if you want a thicker, more present tone—especially when playing with a band where modulation effects can sometimes get lost in the mix.

 

B-Tron III

Envelope filters, also known as auto-wahs, can be a great way to add expressive, vowel-like articulation to your playing. This type of effect responds to the dynamics of your picking, creating a “quack” or “wah” sound that’s great for funk, fusion, or even experimental styles.

A good way to start dialling in an envelope filter is by adjusting the sensitivity to match your playing strength—too high and the effect might be overwhelming, too low and it won’t trigger properly. The filter mode settings (low-, band-, or high-pass) let you shape the character of the effect, whether you want a deep, throaty growl or a sharper, snappier response.

This effect works especially well on bass and keyboards, not just guitar. If you’re looking to add some movement and expression to your sound, experimenting with different settings and playing techniques will help you find the groove that works best for you.

Availability

These Behringer pedals will be available in Australia in late April 2025. More details can be found at Behringer’s official website.