In early September, the Noisegate team went to the BIGSOUND festival/conference in Brisbane to host music-making workshops with Ableton Live. In my ‘Push New Ideas’ presentation, I demo’d a performance setup using Ableton’s Push controller, that was controlling external hardware synths and drum machines (see video below).
The question came up of why I had my drum machine connected to the Push when it already has a sequencer. Fair question! Creating custom drum racks to sequence a machine that already has an on board sequencer can be a more cohesive workflow and opens the door to some interesting possibilities — particularly for live performance. Having your core drum loops programmed into clips in Live means you have those rhythms on hand at all times, and (in my opinion) it makes sense to have these all housed in one place rather than spread across software and hardware. This workflow also means you can utilize the hardware sequencer in a live scenario, programming additional improvised rhythms over the top of your clips coming from Ableton Live, without destructively editing your carefully programmed clips.
You can use any drum machine that has a MIDI in capabilities (via MIDI cable or over USB) – In this example we’ll use one of my favourite drum machines, the Drumbrute Impact from Arturia.
The first thing you need to do is get your drum machine hooked to your computer via MIDI so it tempo syncs and we can send it MIDI data to trigger the drum sounds from the unit while simultaneously capturing the audio. In this instance the Drumbrute Impact has a USB MIDI connection, so all we have to do is plug it in. You’ll then need to connect the audio output of the drum machine to an audio input on your audio interface.
MIDI on drum machines works a bit differently to synths and other MIDI instruments. On synths a sound is assigned to a MIDI channel and MIDI note data changes its pitch. Makes sense right? On drum machines, different MIDI note messages play different sounds (drum hits) per note – rather than simply changing the pitch of one sound. That gives manufacturers 128 note data points in which to put different drum hits per MIDI channel. It’s also become a standard since the original General MIDI spec to have percussion set to MIDI channel 10 (as you can see below), but you can have it set to whatever channel you like.
The Drumbrute Impact has 19 sounds that can be individually sequenced, but we’ll just keep things to an easy 10 voices in this example, so we’ll copy the cell with the External Instrument device 9 times. Press and hold the ALT button on your keyboard and drag/drop to the other drum rack cells.
Rename each pad to what sound you want it to control. Now open the Chain Selector in your Drum Rack and open the Input/Output section so you can assign the pads to trigger the correct MIDI notes on your drum machine. Here you may need to refer to your machines MIDI implementation chart to see what notes your drum sounds are triggered on.
If you have your Push connected, you will notice that your Push displays the drum rack on the pads, and you should now be able to play your drum machine sounds via the pads.
Now this is great and all, but lets take it this a step further. If your drum machine accepts MIDI CC messages, you can assign these to parameters on your drum machine, and use the encoders on Push to control them, thus allowing you to automate, or step automate your drum machine.
To do this, we use this great Max For Live device called 8 CC which allows us to send MIDI CC messages to respective parameters on our Drum machine. Download it free here. It looks like this:
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