Behringer Expands Eurorack Lineup with WASP VCF and VOCODER VC16

Behringer has introduced two new Eurorack modules, offering both a classic filter and a modern vocoder option. If you’re considering expanding your modular setup, here’s what you need to know about these new additions.

Behringer WASP VCF

The Behringer WASP VCF is based on the filter from the classic “Wasp Deluxe” synth of the ‘70s, now available in a compact Eurorack module. Known for its aggressive and characterful resonance, this filter can add a distinct edge to your patches.

Key Features:

• Recreation of the original “Wasp Deluxe” filter
• Analog signal path
• Multi-mode VCF with Low Pass, High Pass, and Band Pass modes
• Separate band pass and mixed low/high pass outputs
• 8 HP Eurorack format

The WASP VCF provides separate inputs for audio, CV1, and CV2, along with Level, Frequency, and Attenuation controls. It also offers a Resonance control for emphasizing specific frequencies and a mix output for blending low and high pass signals. This makes it a flexible and creative option for shaping sounds in a modular synth environment.

While the WASP filter has a reputation for its distinctive and sometimes unruly character, it can also be tamed for more subtle effects. Whether you’re pushing it into self-oscillation for aggressive tones or dialing it back for gentle filtering, it brings a lot of sonic versatility. The ability to mix the high and low pass outputs is a particularly useful feature, allowing for more nuanced sound design.

Installing the WASP VCF into a Eurorack case is straightforward. It takes up 8 HP of space and draws 30 mA on +12V and 10 mA on -12V. As with all modules, it’s worth checking your case’s power capacity before adding new units, especially if you have other power-hungry digital modules.

Behringer VOCODER VC16

The Behringer VOCODER VC16 is designed for those looking to experiment with vocoding in a Eurorack setup. With digital oscillators and multiple synthesis options, it provides a flexible way to shape and manipulate vocal and carrier signals.

Key Features:

• 3-voice vocoder with multiple oscillator types
• 6 digital oscillators including analog modeling, noise, FM, and vox
• 4 main controls for vocoder response and sound shaping
• External carrier input with level control
• Line/mic modulator input with level control

The VC16 includes six digital oscillators split across two carrier banks, allowing for deep sound design. The Carrier Shape and Shape CV Attenuverter controls help shape the character of the vocoder, while parameters like Formant, Envelope Sense, Resonance, and Cutoff offer additional fine-tuning. This means you can get everything from classic robotic voices to more experimental textural sounds.

Unlike some standalone vocoders, which require external carrier signals, the VC16 includes its own oscillator banks, making it more self-contained. However, it still allows for external carrier input, meaning you can feed in other synth signals or even drum loops for unconventional vocoder effects.

For connectivity, the VC16 offers MIDI IN for syncing with other MIDI-equipped instruments, GATE IN for triggering the envelope externally, CV IN for controlling the carrier frequency, and AUD OUT for outputting at Eurorack level. This makes it a versatile addition to any modular rig, whether you’re using it for classic vocoding or more experimental processing.

Availability

If you’re considering adding these to your rack, think about how they’ll fit into your existing setup. The WASP VCF is great for adding aggressive, characterful filtering, while the VC16 opens up a lot of creative possibilities for vocal processing and beyond. As always, module choice comes down to what fits your workflow and sound design needs.

Both the WASP VCF and VOCODER VC16 will be available in Australia from April 2025. More details can be found on Behringer’s official website