Introducing Labyrinth: Generative Analog Synthesis with the Moog Sound

Labyrinth is making waves in the music technology world with its innovative design and powerful sound capabilities. This new synthesizer, featuring a dual-path architecture and a versatile generative sequencer, is poised to become a Favorite among musicians and sound designers. Here’s a look at what sets Labyrinth apart.

Top Features of Labyrinth

• Dual Voice Paths: Combines subtractive synthesis and complex spectra generation for a diverse range of sounds.

• Voltage-Controlled Wavefolder and Filter: Includes a new Voltage-Controlled Wavefolder and a filter that morphs between low-pass and band-pass modes.

• Generative Dual Sequencer: Can manage two separate poly-metric sequences of up to eight steps each or a single sequence of up to 16 steps.

• Extensive Modulation Options: Offers both hard-wired and patchable modulation options for creating complex soundscapes.

• Versatile Sound Creation: Capable of producing sounds from deep kick drums and electric bongos to alien bell tones and delicate sine wave melodies.

Labyrinth offers a wealth of possibilities for diverse types of musicians. Composers will find it invaluable for creating evolving, intricate soundscapes that add depth and complexity to their scores. Producers can use it to introduce dynamic, generative elements into their tracks, ensuring that each performance is unique and richly textured. Synth enthusiasts and Eurorack builders will appreciate its semi-modular design and extensive patch bay, allowing for endless customization and integration with existing setups. Sound designers can harness its robust dual sequencer and modulation options to craft innovative sounds and effects that push the boundaries of auditory experiences. For existing Moog users, Labyrinth seamlessly integrates with other Moog gear, enhancing their setup with new capabilities and expanding the creative potential of their sonic arsenal. 

A Quirky Dual Sequencer and Voice-Path

A lot of Labyrinth’s depth comes from its dual voice path and generative sequencers. While it only has a single Moog oscillator and Modulation oscillator as a sound source, the rest of the signal path allows for plenty of blending and unexpected events. The dual sequencer can be either 2 8-bit independent sequences or chained together for 16-bits. A ‘bit’ is like a step, however it is slightly different – A bit is either off or on. When a bit is turned on, it generates a random voltage for pitch and stores it at that bit. There are a variety of controls for generating and controlling bit values and their states. I should mention, that the sequencer does feature quantization for locking the generative pitches to a particular scale. 

This information coupled with the VCO and Mod VCO sound source is then sent to the dual voice-path that features a state-variable filter and voltage-controlled wave folder. The sound source can be processed through these two circuits either in parallel or alternate series (VCF to VCWF or vice versa). Along with this signal path, there are a variety of blend and controls for dynamically playing with this voice-path. 

As you can see, there is plenty to play with in Labyrinth. While the sequencer is a little quirky and takes some time to get your head around, once you have a basic understanding of how it works you can start generating interesting quite quickly.  

Labyrinth is available now – find your nearest dealer HERE