The new UltraWave Multiband Processor by Source Audio takes the whole overdrive and tremolo in a stompbox to a new and exciting uncharted sonic territory, dare I say. The holy grail of music-making is crafting and shaping a sound that is totally unique to the artist creating it! This is applicable for any instrument: guitar, bass or synths. We were lucky to get a beta version of the UltraWave last month, we had a play and were totally blown away by the vast sonic possibilities. The power of creating interesting tone/effects with the UltraWave is under the hood and programming the pedal was straight forward.
At the Ultrawave’s core is a dynamic and multi-dimensional approach known as multi-band processing. This process splits the frequency spectrum of a guitar, bass, or synthesizer into multiple, discrete frequency bands and equips each band with its own array of adjustable parameters. In the case of overdrive, the Ultrawave splits the incoming signal and provides separate drive and output level controls for each individual band. The result is a thick and rich distortion with loads of unique overtones and dynamic interplay. Split the signal into 1, 2, 3, 4, 8, or 10 frequency bands, and apply any of the band splitting options to an exciting collection of overdrive types, including Tube, Diode, Foldback (a method of distortion often heard in the world of synthesizers), Octave Up, Negative Flip Diode, and more.
The Ultrawave also has a great companion collection of innovative sound processing blocks found in the Neuro Desktop Editor or Neuro Mobile App. All presets created in the Neuro editors can be loaded directly to the pedal, saved to a personal, cloud-based preset library, and published to the Neuro Community to be shared with other Ultrawave owners.
The dual-channel compressor block includes studio-level controls. The Multiband Tremolo block provides individual control of each band’s tremolo depth, rate, and start time as well as its LFO wave shape. Changing the LFO wave shape and varying the tremolo start times of each frequency band creates fantastically propulsive sounds reminiscent of sequencer or arpeggiator effects. The LFO’s Ring Mod option creates waves of retro/futuristic industrialism. The Morph feature explores the marvellous potential of sound morphing, which allows musicians to smoothly transition from one super-charged tone to another with an external expression pedal, LFO, or envelope follower. The Ultrawave also has advanced stereo features that can send entirely different drive effects to each of the outputs for a wide stereo field, place the effect in two places in a signal chain, or generate mind-spinning, ping-pong tremolo effects.
Available in Australia in April
Find your Source Audio Retailer here:
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